Traditional
Indian and Afro-Honduran Music
Threatened-The example of Carrizo Flutes
(Part 1 of
3)
By Wendy
Griffin
Without a
doubt the rarest Honduran craft recently donated to the Burke Anthropological
Museum at the University of Washington in Seattle is a Pech Carrrizo Flute, none of which had
been made in the last 20 years. The reasons why this flute had not been made in
20 years highlight a whole range of the problems faced by rainforest Indian or
Afro-Honduran crafts, especially those related to the religious ceremonies of
Indian or Afro-Honduran peoples.
The maker
of the Pech flute donated to the Burke Museum Don Hernan Martinez of Moradel,
outside of Trujillo, also made an example of this type of traditional flute for
himself to play in his son Angel’s Pech musical group which also includes Pech
marracas (kamacha), Pech drum (tempuk), and either an electronic keyboard or
guitar played by ProfesorAngel Martinez.
Since the
Pech have forgotten most of the old songs in Pech, Profesor Angel and other
Pech teachers like Profesor Gil Lugo Catalan are composing new comtemporary
songs in Pech. The Pech Indians have rescued at least 3 traditional dances that
in some cases had not been danced in 40 years, and last year danced in Central Park in Trujillo
to traditional dances and music for probably the first in 1,000 years, when
they were displaced from the Trujillo area,such as the archaeological site
Silin Farm, by the arrival of Mexican
Indians like Nahuas in the Post Classic period (900-1500 AD).
Why Intergenerational Loss of Traditional
Knowledge and Crafts happens?
The
problems of why there were no Pech Carrizo
flutes for at least 20years include
almost all the problems of intergenerational transmission of modern Indians—the
Carrizo had mostly been destroyed in the habitat above 1,5000 feet where it was
native to (this is also the recommended altitude for coffee), the few people who knew how to make it moved
to a new eco-system where the plant was not available, the plant was supposed
to be protected in protected areas like the Rio Platano biosphere Reserve and
the El Carbon Anthropological Reserve, but it was not protected and was cut
down, it is valued by the Pech and almost all other Indian groups but often not
by Ladino cattle ranchers or coffee growers who can consider it in the way and
cut it down, the part of the culture when it was played was lost when the Pech
were converted to more orthodox Catholocism or Evengelical Christianity, and no
longer did their traditional ceremonies where the music was played.
The lack of
good intercultural educational programs
meant that the Pech were taught Ladino folkdances,usually played on marimba an
instrument of African origin, rather
than teaching them their own dances and music. The Carrizo flute is also
affected by the local extinction of animals and plants in their ecosystem which
were needed to make it or which the
music copied the sound of, and the lack of good intercultural education meant
that Pech crafts were not being handed down in either the homes or in the
schools.
Pech- An Endangered Language in Honduras
The almost
complete loss of the Pech language which has an estimated 300 speakers, almost
all older adults, out of 3,800 inhabitants, also affects the teaching of crafts
and especially the stories associated
with them from one generation to the other. In Honduras most indigenous
languages in Honduras are in the endangered category according to the UNESCO
Atlas of Endangered Languages except Miskito, which is still considered
vulnerable, as more Miskito children go to school now. Profesor Angel Martinez,
the Pech teacher who lives in Trujillo and whose father made the Carrizo flute
in the Burke Museum, described the Pech as being in an ethnological crisis
during his talk at the Central American Linguists Congress in Tegucigalpa in
August 2013.
No Birds
Means No Songs of Birds for Flutes
The first
thing I heard about this Carrizo flute over 20 years ago, was that no one knew
how to play it any more. There used to be two Pech flutes—one made of a jaguar
bone and black wax, and one made of Carrizo, a bamboo like plant, and black
wax. One of these flutes should sound like the rainforest bird the pavon, and
the other one should sound like the rainforest pajuil. Both of these birds are
considered delicious eating by almost every group in Honduras, and they are
larger, so they have more meat to eat.
The reason
Pech young people can not play the flutes correctly, even if they had one, was
that there are almost no pavons or
pajuiles left in Honduras. They are among the animals in danger of extinction
in Honduras. Most things the Garifunas, the Pech, the Miskito Indians, the
Tolpuan Indians and the Tawahkas ate sounds like a who’s who of endangered
animal, bird, and aquatic life species in Honduras.
The story
of the origin of the jaguar bone flute among the Pech is interesting, because
it is the same story shown in an Aztec codex,such as shown in David Dominici’s
book The Aztecs. In the Pech story collected in Lazaro Flores’s and book
Dioses,heroes Hombres en el Universo Mitico Pech, (Gods, heros and Men in the
Pech Mythical Universe) the grandfather thunder assigned the two grandsons, the
morning star Kapani and the Evening star his twin, to hunt the animal with big
whiskers and after they had killed a lot of different kinds of animals and him
saying that is not the one, the morning star hunts the yellow tiger or jaguar,
and kills it.
When they show it to grandfather, he says that
is the one. The scene in the Aztec Codex shows the morning star as the god of
hunt killing a yellow jaguar. Then the grandsons have to get the wax for the
flute. The evening star gets stung in the testicles while he tried to get the
wax. After they made the flute, they were allowed to go to the sky, so actually
it is a pretty important story, as it is the story of the origin of the morning
star (associated with Quetzalcoatl by the Aztecs, and Quetzalcoatl heads are
found all over the area like on www.roatanet.com/ciudadblanca) and his twin the
evening star. Among the Pech Indians the morning star is also associated with
the hunt and in the earliest hours of the morning (kapani in Pech), when the
morning star is out, but not the sun, it is taboo to hunt animals then, as they
are under the protection of the Morning Star (kapani).
The
Connection of Pech Flute Myths and Aztec Flute Myths
Since there
are no jaguars in Central Mexico, but there are jaguar bone flutes in the ruins
in Mexico and in the archaeological ruins near Trujillo, it seems that the
Nahua speakers of Trujillo were exporting jaguar bone flutes to the Aztecs
before the Spanish conquest. They also seemed to have exported whole jaguars,
as whole skeletons are found in Aztec ruins as sacrifices. Wouldn’t that have
been fun to travel from Trujillo to Mexico by canoe with a jaguar in the canoe?
Eduard Conzemius reports the jaguar bone
flutes still being made in Honduras in the 1920’s when he was visiting the
Pech, the Misktios and Tawahkas before the Truxillo Railroad, a subsidiary of
United Fruit (now Chiquita) moved onto their areas. The lack of jaguars is only
one reason why these jaguar bone flutes are not being made today in Honduras.
Teresa
Campos, the Director of the San Pedro Sula Museum, is particularly interested
in traditional musical instruments, having recently published an article on the
1,200 whistle, ocarina, and flute like objects in the San Pedro Sula Museum’s
collection in a new journal devoted to the field archeomusicology. While
“aerophones”, musical instruments that
make music because you blow air through them made of clay or jaguar
bones will remain the archaeological record, but those made of the bamboo like
plant “Carrizo” will rot, and so she was excited about the possibility to
acquire a collection of modern Honduran Indian musical instruments, including
the Pech Carrizo flute known as a “arwa” in Pech, for the new San Pedro
Museum’s Indian Craft Exhibit which was
due to open in Janaury 2014, but the opening has been postphoned due to lack of
funding.
Carrizo
Flutes Were both Ancient and Widespread in Honduras
I was also
interested in obtaining a Pech Carrizo flute, the arwa, because it is similar
to all the other Carrizo flutes in Honduras-the ones previously made by the
Maya Chorti, by the Lencas, and still made by the Tawahkas and the Miskitos,
who call it bra or bará. Because the ceramics of the Lencas during the Classic
period, known as Ulua polychrome, are so
clear, in the collection at the San Pedro Museum, you can see what musical
instruments the Lencas played in the Classic Period (300-900 AD), which
included the Carrizo flute.
During the
Colonial Period in Central America, the Catholic Church banned all indigenous
instruments except Drums and Flutes from accompanying dances and ceremonies
associated with Catholic Saints. These
large dance-dramas such as Moors and Christians and La Huasteca (this dance is
asscociated with la Malinche Hernan Cortes’s Maya-Nahua,-Spanish translator who
was from the La Huasteca part of Mexico) by the Chortis or Guancascos of the
Lencas continue until today, but most Lencas and Chortis have forgotten how to
make the Carrizo flutes and how to play them
They have either replaced them with plastic soprano recorders for their
ceremonies needing this instrument, notes David Flores, or sometimes in the case of the Honduran Chortis
substituted violin and guitar music known as “sons” for their ceremonies.
My Tawahka Carrizo flute that I was given by
the Tawahka dance group Mayagna Rikni (Our Roots) in 1993 when they stayed at
my house in Tegucigalpa, I had donated to the Ethnobotany lab at the UNAH in
Tegucigalpa together with some other Honduran crafts like Garifuna maracas made
in Trujillo, so that they would expand their understanding of ethnobotany to
include craft plants used by the ethnic groups, instead of just medicinal
plants.
Pech
Bilingual Education Books Had Incorrect Drawings of Musical Instruments and
Crafts
I also
wanted a Pech Carrizo flute, because I was distressed because the new textbooks
in the Pech language, part of the Cipotillos de Mi Pais collection (the little
children of my country, cipote being a Honduran Spanish word derived from the
Nahua word xipe or small) of the
Honduran Ministry of Education’s PRONEEAAH project, has pictures of the musical instruments of
all the ethnic groups in one section and pictures specifically of Pech musical
instruments in another section, that were wrong.
A Pech
Carrizo flute (arwa), and none of the Honduran Indian Carrizo flutes, do not
look like a Chinese bamboo flute which was what was shown in the book. Not only was the picture of the Pech flute
was wrong, but the musical bow, the bobo, was wrong as it was missing the gourd
bowl resonator, the maracas were wrong, particularly the painting of them was
incorrect, they showed the wrong gourd, they were missing the pita string tied
on the outside, etc.
Not only
the musical instruments were wrong, but almost all the Pech crafts in the book
were wrong. A large round majao string bag used for storing meat before there
was refrigeration is called ara’, but in the Pech book for the word ara’ they
have a drawing of a modern leather
purse. There is an example of the ara’ in the San Pedro Sula and Burke Museum.
The
bilingual education books for the Pech had a word canasto, with a picture of a
basket that no one in Honduras makes, while the Pech do not make “canastas” or
closed weave baskets like those of Carrizo made by the Lencas and the Chortis,
but rather they made “yaguales” called “arkás” in Pech, which are hanging
baskets with a vine rim and a spider web weave inside. Two of Doña Juana’s
yaguales, the Pech chief of Moradel outside of Trujillo are in the San Pedro
Sula Museum and one is in the Burke Museum at the University of
Washington.
Almost
every Honduran ethnic group made yaguals—the Maya Chorti, the Lencas, the
Miskitos, the Tawahkas, the Pech and even the Ladinos, although they vary
whether they use pita (from a agave or maguey like plants that needs 90-125 of
sun) or majao (purú in Pech, sani in Miskito, weñu in Garifuna) twine made from
tree bark, because these groups live in rainforest where that much sun is not
available and a number of people still have them in their houses hanging from
the roof beams. They were good for storing lard, gourd bowls, salt, things you
did not want rats to bother. Some Ladinos hung gourd bowls above them to help
the rats slip down, and some more modern people put a hole in the bottom of a
Coca cola bottle, and hung it on the string above the yagual, because with its
curved shape and slippery glass, the rats just slide to the floor.
I thought
maybe the problem with these books was that the artist did not have examples of
what the Pech or other Indian crafts looked like and so I began last year
having Pech crafts made that were no longer being made or used so that we could
photograph them for a book on Pech crafts for Pech schools and for the San
Pedro Sula Museum exhibit.
Traditional
Indian and Afro-Honduran Music
Threatened-The example of Carrizo Flutes
(Part 2 of
3)
By Wendy
Griffin
No one had
made a Pech Carrizo flute (arwa) in 20 years, such as that now played by
Hernan Martinez of Moradel near Trujillo,
partly because the traditional Pech religious ceremonies which required
three musicians playing the Pech flute and drum and marracas and a fourth
person to say the prayers, had not been
done since the road went into Culmi in the 1960’s, and all the Ladinos began
moving in and the Catholic priest arrived every week, as opposed to once a
year. The Catholic church also started
the practice of training lay people in the communities to be Celebrators of the
Word, and thus for the first time since the Spanish conquest there were people
in the Pech villages blocking the playing of the traditional music and doing
the ceremonies.
The Problem
of Young People Not Learning Crafts Which Had been Marginalized
Don Hernan
now 68 years old is one of the last Pech people who knew how to make the
flutes, who had been taught by his father Don Amado, one of the last people to
do many of the Pech healing ceremonies who died in 1997. It took Don Hernan two
tries to make the two new Carrizo flute
correctly, because since he had not made one in twenty years, he forgot where
the finger holes went and did it wrong the first time. Fortunately he got
enough Carrizo and cera prieta to make two more flutes, one that is now in the
Burke Museum in Seattle, and one he kept to add Pech flute music to his son
Angel’s traditional Pech music group in Moradel, which also uses the Pech drum(
tempuk), and the maracas (kamacha). When I was able to buy all three, even
though we could get no pita for the maracas due to the destruction of the
plant, he told me proudly, “Now you have the whole orchestra”. I was excited.
I thought
it was important to have the Carrizo flute made now, like most Pech crafts,
because the main people who knew how to make them are either dead or ill or
blind or quite old. Don Hernan is 67 years old. If we do not make the Carrizo
flute and the other Pech crafts soon, there will be no one alive who knows how to
make them. I heard about the last Miskito drum maker when he was 93 years old.
Because the Moravian church is against
traditional Miskito music from pre-Christian ceremonies, no one dared to learn
to make the drum to accompany them. No one knows how to make the Tawahka drum
or any of the Bay Islanders musical instruments. Part of that is also the
coming of Protestant churches to the Bay Islands against dancing, something
that also affects some Garifuna villages like Santa Fe.
I also
wanted to have an example of the Carrizo, because one of the curing techniques
of the Pech is called “soplo”, literally blowing on people. But the healer does
not blow directly on the person, the healer blows through a hollow Carrizo
tube. This healing technique of soplo
through a Carrizo tube is also used by some South American Indians. According
to the Wikipedia article on Shamanism, all shamans have pipes, and the Pech
equivalent of a shaman’s pipe is a Carrizo tube
The San
Pedro Sula Museum of Anthropology and History currently has money problems, and
the board chair has threatened to close it if they can not figure out how to
generate enough income to pay their bills, so that was why this first flute was
given to the Burke Museum in the US, rather than the San Pedro Museum, which
does however, have all the rest of the Pech crafts, except a musical instrument
called a deer caller, which the Director of the Museum would still like to
acquire. Hopefully they will be able to
resolve their money problems and the craft exhibition can open there later.
Immigration
and Urbanization as Reasons Crafts Die Out
The Pech
traditionally lived in Olancho and along the Rio Platano and Rio Sico and
Paualaya in the Mosquitia. The Pech
craft people Don Hernan and Doña Juana
have movied to the coast and live outside of Trujillo, so eventhough the
village is in a protected area, it is totally the wrong eco-system to find
either Carrizo or “cera Prieta” the Black wax of a special bee that produces
white honey “miel de blanco”.
Don
Natividad, formerly the chief of El Carbon,
taught his son the Pech language and how to make Pech crafts and how to use
Pech medicinal plants, but the son went to the United States to work, and it is
a guarantee he will find no carrizo or “cera prieta” or anyone to practice Pech
with there. Yaya, the Garifuna healer in Trujillo also trained her son Rudy,
who has lived in New York for over 25 years. It made the headlines in New York
City that it has become the place many languages die out due to the pull of
immigration and the need to assimilate to be able to work.
The Problem
of the Destruction of the Forest where Wild Resources Used by Indians Grow
Doña Juana,
the Pech chief ofMoradel and her daughter, Isabel, went into the mountains of
the Rio Platano Biosphere, in the nuclear zone beyond Las Marias where no one
is allowed to go and where they had found carrizo10 years ago, but now the
Ladinos have cut everything down even in
this remote and off limits area and they
were alarmed. Maybe these will be the last
two Pech flutes we will ever see.
The Rio
Platano Biosphere is a UNESCO World Heritage site, and it has been on the
Endangered List for several years. Compare the difference of the thick
rainforest on the video about the Ciudad Blanca Honduras from 2000 on
Youtube.com “discovering the Rio Platano biosphere in Search of Ciudad Blanca” with the tragedy of the cut
rainforest in the Biosphere the 2011video on Vimeo.com “Paradaise in Peril” video which begins with
showing the Biosphere map going up in flames.
The Problem
of What is Happening with the Bees?
After two
and half years of looking we were unable to have a Pech arwa Carrizo flute made
by Don Hernan due to the lack of availability of Carrizo, which only grows
above 1,500 feet, also the recommended altitude to raise coffee, and also
because of the lack of the special black wax made by a special bee which also
makes “miel de blanco”, the best medicinal honey in Honduras. For example, it
is used to treat chronic bronchitis by Doña Juana whose mother suffered from
this. The Pech considered this bee so important, they used it to demonstrate
the sound of one of the words in the Pech alphabet in their literacy book, like
American children learn I for igloo or for ice cream. For the letter e, the Pech taught ejtama, the
Pech name for the rainforest tree liquidambar that only grows in the tropical
cloud forest.
Each
culture teaches words that it considers essential in first grade, and the Pech
considered the name of this bee essential, even though I usually can not
distinguish it from other bees, although it is quite different from the
Africanized bees, which have reached the Pech area, because African bees will
swarm around your head as you walk through the rainforest. This bee which makes
the miel de blanco and the special wax, will not live in an area with African
bees, which someone introduced further south in Latin America, thinking it was
a good idea, and instead it was such a bad idea, horror movies have been made
about them in the US. It is actually common that Honduran rainforest Indians
can identify by name a number of different bees by things like their buzz,
their flight pattern, the type of area they like to live in, while Western
scientists tend to classify dead bees pinned under glass, said ethnobotanist
Paul House. The Tolupan Indians of Montaña de la Flor are famous for their
beekeeping in pieces of wood near their house, not in hives.
Only the wax from this special bee, called
“cera prieta” (very black wax) in Honduran Spanish can be used, because it
hardens, actually to the point that you could polish it, pointed out Hernan
Martinez. Once you put the reed in place with it, it remains in place, while
another black wax made by Honduran wild bees called “jimerito” always remains
soft and gummy (pegajoso) so if you try to store a flute made with this, the
reed becomes displaced, the flute is deformed, and you can’t play it. But this
special bee of the miel de blanco and cera prieta is very scarce, as it only
lives in certain rainforest habitats which are disappearing at an alarming
rate.
I don’t
know if the general problems that are affecting US bees that are dying out in
massive numbers is also what is affecting this bee in Honduras. One specialist
in food said in the US, “If the bees die out, within 4 years, we humans will
die out.” Bees pollinize most of the
foods humans like to eat, and if we kill the bees due to pesticide use, either
because it kills them, or it weakens them and fall prey to mites or it disorients them and they can not find
their way home to the hive. If people think we should not worried that we can not find black wax for
flutes or medicinal honey, we should be alarmed that we are losing the bees that
produced them, as this is part of a much bigger problem. The Europeans often
ban chemicals used in the US and Honduras afraid of the effect on the bees.
No
Protection for the El Carbon Protected Area
It took us
two and half years to get together both a few pieces of Carrizo and the wax. We
had previously contacted the Pech craft people in El Carbon, a Pech village in
Olancho near San Esteban, that we wanted to get this Carrizo and the wax. Don
Natividad Garcia, who had previously been chief and is a good craftperson and
knows what the carrizo looks like, and previously a hunter so he knows his way
around the mountains above El Carbon, got up at dawn to try to get high enough
in the mountains to find Carrizo, but even there, which is a protected area,
there was no Carrizo and cera preta.The village of El Carbon is located in the Sierra de Agalta mountain range Agalta being the Nicarao dialect of Nahua for place of a lot of Carrizo. The Pech of El Carbon live above the Valley of Agalta, on the road to colonial era Indian community in Yoro Agalteca (about 5 Km from Olanchito). The archaeological ruin near the community of Agua Amarilla of the Pech of El Carbon was called Guatemala (place of a lot of forest or place of Eagle Warriors in Nahau depending on if the A is long Guaa- or short Gua- according to linguist Dr. Judith Maxwell). The importance of Acatl or agatl reeds or Carrizo are key to the identity of the Nahua Indians who lived in the area before the Pech migrated inland.
The Pech of El Carbon have had troubles before
with Ladinos moving into the area above their village, even to the point of
drying up one branch of the Aso Sewa (yellow water in Pech) River due to
deforestation. When we went to El Carbon
last July, the people were “asustado” (frightened and surprised), because of
the land invasion of over 88 acres of land by Ladinos about which the
authorities were doing nothing, and also Ladinos had started taking people to
the isolated area and shooting them and leaving them for dead in the Pech
village. The Pech chief’s wife said sometimes she heard
gunshots at night, and her husband would be away studying and she could not
sleep or sleep for “nerves”. She finally
had to medically treated for nerves. She also could not forget the dead man
when they found him with his hands behind his back tied, and he was in a
crouched position, frozen, killed trying to get up. A Pech healer said the dead
man was watching her, and she needed to be treated for that, too. Sometimes
when the dead people watch you, the Pech believe, they come and kill you and
take you with them.
Conflicting
Views of Wild Plants Between Indians and Ladinos
(Part 3 of
3)
By Wendy
Griffin
The Olancho
Nahua Indians believed that this higher up area where Carrizo, a bamboo like
plant, grows above 1,500 feet was closer
to God, and that may have made the Carrizo
(Acatl in Nahua as in Acalteca (now Agalteca), Yoro, Santa Barbara,
Comayagua and Olancho and Agalta Valley, Olancho) growing area more sacred for
them. The word Acatl in Nahua seems to be a general word for tall thin craft
plants like tule for making petate mats, Carrizo for baskets or flutes and
junco for baskets, and the Valley of Agalta, Olancho where the town of San
Esteban is may have been named for its Carrizo, as well as because the people
were followers of Ce Acatl Topoltzin (Our Lord One Reed), the Toltec King who
supposedly died in the Ciudad blanca area in Huetlapalan, east of Trujillo. The
name Toltec, comes from tolan or tulan, the place of a lot of tule, which seems
also to have been called Acatan, the place of a lot of tule, junco and Carrizo.
So Acalteca are people from the place of Tule, Carrizo and Junco, like the word
Junqueñas (the women of Junco) for the women craft people of Santa
Barbara. So these plants, two which grow
by water and the other in the mountains, are central to the identity of this
ethnic group.
High Up
Places for Carrizo Sacred Places for Nahuas, Lencas and Mayas
There is an
Olancho story (Olancho’s name comes from place of Rubber Ulancho in Nahua) about
how God put the jilquero bird which has a beautiful song in this highest up
place in the tropical cloud forest, so that it would be closer to him and he
could hear it better. This bird’s Nahua name is the origin of the name of the
town of Chiquimula, Guatemala which supposedly settled by people from Palenque
also called Culhuacan, according to the Chiquimula Online website. Culhuacan
was the Toltec neighbourhood in the Valley of Mexico founded after the
destruction of Teotihuacan, and also was a place name in the Valley of Sula at
the time of Spanish Conquest. The people in the Valley of Agalta, Olancho were identified as Sules and Comayagues or
Payas in the Colonial period. Paya comes the name of Ce Acatl’s kingdom
“Payaqui” (among Nahuas or Among Yaquis) or Hueyatlato (the big one or most
important one, el mayor)
According
to Conzemius, the Pech did not go to the very tops of mountains as there were
sacred lagoons there and they avoided them.
That the Nahua Indians of Olancho said their ancestors did human
sacrifice in a secret cave beside the Mescal Lagoon along the way from
Catacamas to the Ciudad Blanca or White City, shows that they may have had a
good reason to avoid these highest mountain area. That the book Jugleland notes
a high upcave by the Las Crucitas (little crosses) ruin in the Ciudad Blanca
area may be significant. A number of Mesoamerican Indians including the
Guatemala and Honduran Mayas and the Honduran Lencas did and still do
ceremonies on mountain tops, where they often put crosses (representing the
world tree), which would have been good reason for the Pech to avoid them.
Quite
specific stories associated with human sacrifice at the Ciudad Blanca and with
the Cholulatecas (Nahua speakers from Cholula, Mexico) or Chorotegas are
reported by Theodore Morde’s1939 report La Ciudad de Mono Dios (city of the
Monkey God) found in the typewritten edition in the IHAH library in
Tegucigalpa. The Pech may have called the Nahua Chorotecas instead of
Cholulatecas because Pech language generally does not have the l sound.
The Pech
culture has developed in the Olancho and Colon rainforest mountains, especially
over the last 500 years, and probably over the last 1,000 years, due to the
Nahuas occupying the low lands in their area, so the Pech culture depends on
plants in the high mountains, which has been threatened over the last 50 years as Ladinos
move into the area to cut wood and grow coffee and raise cattle. I think one of the most important studies I
have heard of is Paul House’s study of what plants Ladinos use, and what plants
do they consider important and where do they grow.
Honduran Ladinos, Users of Secondary Forests,
the Pech the Uncut Primary Forest
In Paul
House’s study, the Ladinos only used two plants in the uncut forest—liquidambar
for straight roof beams (as opposed to the Pech who take out this tree’s resin)
and Carrizo for baskets. All their medicinal plants, their wood plants, most of
their craft plants, their food plants, came either from their crops, but
especially from the “guamiles”, the secondary forest that grows up after you
cut the primary forest down and plant for a year and then let it lie
fallow.
In his
planned study of how many plants the people from Southern Honduras like San
Marcos Colon, he wanted to know how many useful plants the people of southern
Honduras used in the uncut forest,to compare it to the 116 useful plants per
hectare the Tawahka Indians used in the uncut forest.. In all of San Marcos de
Colon there was not half a hectare of forest left. The Ladinos of Southern Honduras can live
without forest, the Pech, Tawahkas, Tolupan Indians, Garifunas and Miskitos can
not.
To most
Ladinos, the uncut forest is in the way. You have to cut it down to get the
good stuff, like grass for cattle. And
while this reduced the rain, this reduction,
in fact, favors Ladino crops which come from seeds developed for the
arid areas of Central Mexico that do better with less rain, rather than the
Garifunas, the Miskitos, the Pech and Tawahka root crops that are fine in the
rain of the Central American and South American and African rain forests. It also favors the growing of their rope
plants like mescal,pita, and maguey, and henequen which need sun, and dry, as
opposed to majoa used by the Pech, the Garifunas, the Miskitos, and the
Tawahkas which grows in the rainforest, even in shade.
Why Don’t We Just cut All the forest Down?
The Pech of
El Carbon heard this difference reflected in the accusations of the Mayor of
San Esteban, Olancho which is the municipio or county where El Carbon is
located. When they complained about Ladinos invading their lands and cutting
down the forest there to him, the Mayor said, “You Pech are lazy, you were not
doing anything with the land.” The wife of the chief of El Carbon said, “It is
thanks to us that we have not cut down all the trees, that all of us have any
air to breathe.”
The Mayor
of San Esteban apologized. The Tawahka President of FITH Edgardo Benitez says,
“This country just does not value trees and forest.” His father reported most
of the mahoghany now cut with the Tawahka Biosphere Reserve where he lives.
I am very concerned that UNESCO has the area
where Honduran languages are spoken on their Atlas of endangered languages as
Mesoamerica, when the majority of the langauges and the culturals of
Northeastern Honduras are Tropical forest tribes and depend on the rainforest,
which the Mesoamerican Indians and their Ladino descendants do not. In fact,
the practices of Southern Honduran Ladinos have changed Choluteca Department
from having a rubber and a pink Mahoghany wood cutting industries, both of
which require rainforest, in the 19th century, and there still being
jaguars in southern Honduras which also requires rainforest, to there now being
cactus. Pink Honduran mahoghany is now
an extinct species of tree.
The name of
Choluteca comes from Cholulateca-people from Cholula, a valley in Central
Mexico near Mexico City, where the Toltecs and other Nahua speakers went after
they left the valley of Mexico. Cholula was sometimes called Tula or Tulan
Cholula, the place of Tule, a water reed. The Tule mats (petates in Honduran
Spanish and Nahua) were sat upon by nobles in their meetings as well as put on
altars and used for sleeping. Many of the Ladina women in the Guadelupe Carney
craft group who live outside of Trujillo reported growing up sleeping on petate
mats.
That change
from mahoghany forest to desert in Southern Honduras is pretty incredible in
only one hundred years. The lack of rain and the problem of cattle meat for
export not being accepted for export to the US due to contamination with
agrochemicals, and so the farmers move into uncontaminated areas that still
have water like the Colon, Olancho and Mosquitia rainforests, are some reasons
why Ladinos are moving into the areas previously controlled by the Pech,
Garifunas, the Tawahkas and the Miskitos.
I once asked
what I thought was rhetorically to a Ladino cattle rancher, Why did they move
into the area, and steal the land, but he answered me, saying, “The Honduran
milk companies paid such a low price for milk that the cattle ranchers could
not afford to buy the land, so they just stole it.” The two main fresh milk
companies in Honduras Sula in San Pedro
Sula and Leyde in la Ceiba were
originally associated with the two main banana companies in Honduras, Standard
(now Dole), and the Tela Railroad (originally United fruit Company now part of
Chiquita), but I do not know if they are still the owners.
I asked my
university English students at the UNAH what difference does it make if we cut
down all the rainforest, and all of them answered, “I don’t know.” I showed
them books with pictures of rainforest animals which I thought they might like
to teach with in primary grades and they asked me, “Where do these animals
live?” Olancho, the Mosquitia, Yoro,
Atlantida, Colon. They had never heard of them.
These animals and these plants were essential
to the life and culture of the Indians of Olancho and the Mosquitia like the
Pech, but since the Ladinos who raised coffee or cattle did not know them, did
not value them, did not see any use for them, they cut them down for grass or
to leave it “limpio” (clean). One thing you can say about deserts, like beside
much of the road between Tegucigalpa and Choluteca, they are “limpio”, no plants all the way down
to the dirt.
The
European custom of favouring open areas cleared to ground, such as left by
sheep or cattle grazing, was not the model followed by Honduran Indians,
neither Maya Chortis in the west, nor the rainforest Indians nor the Garifunas
in northeastern Honduras. One researcher of Maya Chorti medicinal and food
plant lore estimated in the book The Maya Chorti Area, the nutritional value of
the plants called “weeds” by the Europeans and which they let their cattle in
the Indians’ gardens to eat was equal or of higher value to the Chortis than
the actual corns, beans, and squash which the Europeans had identified as the food
crops, which they also let their cattle eat. In 450 years of Indian and Spanish
contact, we still have not solved that issue or conflict.
After this
discussion about why does it matter if we cut down all the rainforest with my
university students I wrote the 26 article series for Honduras This Week on the
roles of Honduran animals in songs, stories, food, ceremonies, religions, and
what was happening with these animals now, which I required the students to
read for reading classes in English.
One student
commented, “Why did we have to wait until we were in the University and in
English classes to learn about Honduras and its plants, animals and ethnic
groups?” I said, “I don’t know”, and I
am sorry to say it has not changed. Maybe now it will, as at the Forum on the
challenges of Bilingual Intercultural Education in Trujillo in December 2013 one of the decisions taken was there should not just be Intercultural Education for minority ethnic
groups, but rather for all Hondurans as required by ILO Convention 169.
No hay comentarios.:
Publicar un comentario