viernes, 10 de febrero de 2017

Crafts Adjoining White City area in Burke Museum reflecting Honduran Nahua culture

Crafts from the Areas Adjoining the White City or Ciudad Blanca Area,  Honduras in the Burke Museum

By Wendy Griffin 2/10/2017

Names of crafts and raw material in English and in Honduran Spanish . The names in Honduran Spanish are usually Nahua derived names. There are Spanish-Nahuatl dictionaries online.

These crafts can be seen at “Burke Museum, Ethnology Collection, Browse Collections, Mexican and Central American Collections, Arts, Crafts and Toys Honduras”

Name on the Burke Museum database, then Spanish names and other information
1.  Raw Material, Bark, Pech                         

Majoa (Spanish) Puru, in Pech. Sani in Miskito. Twine made by leaving the “babosa” tree in water for two weeks, then peeling off the inner bark and  twisting it to make a cord.  Used for most string crafts in northeastern Honduras rainforest, including hammocks, because it is too wet to grow plants like maguey or mescal. The exceptions are the cord for bows (of bows and arrows) and fishing lines which are made from pita (silkgrass), a relative of the pineapple family.

2. Carrying Basket  (This is actually a hanging basket, not a carrying basket), Pech

Yagual (Spanish). Made with one of several vines and then majao is woven to form the basket and the hanging strings. Yaguals are also made the Maya Chorti and the Ladinos of different vines and different material for the rope. Sometimes Ladino yaguals have gourds (guacales) on the hanging strings or a Coca Cola bottle so that if a rat tries to climb down the rope, it slides on the gourd or the Coke bottle and down to the floor.  Yaguals are hung from the roof beams and things like the spice “achiote” (anetto) or “Manteca” (lard, which can be obtained from different kinds of animals) or gourd bowls (guacales) could be kept here.  

3.  Flute (Pech)

Flauta de Carrizo (Spanish) Arwa  (Pech)  This flute is made of Carrizo (Spanish), a bamboo like plant --Acatl in standard Nahuatl, Agalt in Nicarao Nahua, and black wax from a special wild bee. Carrizo only grows above 1,5000 feet.

4.  Calendar (Pech)

Calendario Pech (Spanish). Made from majoa, the twine made from the inner bark of  “babosa” tree. This may be the same as the chulmeca tree, the Nahua derived name.  A knot is made for each day.  When the day is over, a knot is cut off.  The Miskitos, Tawahkas, and the Maya-Chortis used these, although the Chortis used another kind of fiber for the rope, probably maguey. This type of rope calendar was apparently used in Classic Period (300-900 AD) Maya Chorti culture, because there is a glyph that means “we have already made the knot for the year” (ya se nudó el año), as in the phrase, “we have already made the knot to indicate the end of the 12th year of the Reign of 18 Rabbit”, a famous Copan Mayan King.



5.  Gourd Bowl, Pech

Guacal/Huacal (Spanish) Wi (Pech) Made from a tree gourd or calabash by scrapping it clean inside and out, and then cutting it in half.  Used by all ethnic groups in Honduras to serve liquidy foods or drinks.

6.  Wall hanging, Tawahka

Tunu (from the Miskito word tunu),  Takimi in Pech. Cloth made of the inside bark of a tree. The cloth in Tawahka is called “amat” from “amate” in Nahua. The amate tree, a type of ficus, is used in Mexico to make bark paper from the outside bark of the tree, and bark cloth from the inside bark of the tree. The term “amate” for these trees in Honduras was known like the place name “Los Amatillos” (the little amate trees) in Southern Honduras. There are stone bark beaters found in archaeological ruins including in the Tawahka area near the junction of the Guampu with the Patuca, in Trujillo area, and in Santa Barbara. The Tawahka wall hanging shows the traditional pitpan shallow draft wooden canoe and paddle used to travel on the rivers of Honduras.  A different kind of wider keeled canoe, called dori in Miskito are used for travelling by ocean. NE Honduras is rich in the type of big hardwood trees needed to build these kinds of canoes and pitpans (pipantes in Spanish).

Idols (tzikin) made of straw and bark paper or manioc root with bark paper face was reported in the Agalta Valley, Olancho still in 1808. The Pech living in the Sierra de Agalta were apparently Christianized with the help of this ethnic group as the Pech word for church is sikinko,” the place of the tzikin” , in Nahua. Maya Chortis who have a ceremony for the ancestors on 1 November till dawn of 2 November (Day of the Dead) called “tzikin”, but they do not call saints “tzikin”, but rather “nagualitos” (little protective spirits from the animal protective spirits each person has called a nagual in Honduran Spanish). Dr. Brent Metz thinks the Chorti word “tzikin” comes from “to celebrate” in Maya Chorti.  

The Burke Museum collection also includes Miskito Indian Wall hangings made of “tunu” which show some of the tropical birds traditionally exported from NE Honduras towards the rest of Honduras, towards Mexico and to the Pueblo Indians of the Southwest United State, such as the scarlet macaw (called guara in Honduran Spanish) and the green parrot called “lora” in Honduran Spanish.

7.  Shaving Brush, Maya-Chorti

Cepillo de Afeitarse de Maguey de Castilla (Spanish) A brush made of maguey fibers, a plant like agave. Maguey is a cultivated plant among the Chorti. The Toltec King Ce Actl was known after his death as “Hijo de Maguey” (a son of Maguey). Among the Mayas in Guatemala he was known as Precious Jewel, possibly in association with  green stones, such as Jade near the Maya Chorti area in Guateamala. A source of jade used in trade with the Mayas was also found in San Luis, Santa Barbara.

8.  Tortilla Basket, Maya-Chorti

Canasta tortillera de Carrizo (Spanish). Made from the bamboo like plant Carrizo, also used in the Pech flute above.  Honduran Lencas also make baskets, often large ones, of Carrizo. Besides being baskets, into the 1940’s the standard way to buy and sell basic grains like beans and corn was by “medidas” (measures) as measured by a standard sized basket holding about 4 pounds. Smaller amounts were sold by measures using a “guacal” or gourd bowl. This has now been replaced by weight scales in markets, but Carrizo baskets are still in demand for selling heavy items like “rosquillas” (baked corn meal donuts). Corn tortillas are usually wrapped in a white cotton cloth, often embroidered, and then served at the table in the tortilla basket to keep them warm.

9.  Whistle, Lenca

Pito de alfararía (clay whistle). This whistle has the shape of a jaguar, which seems to have a special connection to the Lencas. This red pottery with white painting is made in La Campa, Lempira in southwestern Honduras. In the San Pedro Sula Museum in northwestern Honduras there are 1,200 pre-Columbian clay whistles  (one note) or ocarinas (several notes),so this seems to have been a common item.  One of the uses has been to alert people in a village a pedlar is coming.  Another use seems to have been to scare their enemies in war. Not every potter knows how to make whistles, they are unusually hard to make. I have not seen any reports of clay whistles in NE Honduras yet. This might be because of spotty records, or because the groups in NE Honduras didn’t include Lencas.
One theory about the pre-history of the San Pedro Sula area was that it was Lenca in the classic period (300 -900 AD) as evidenced by lots of Ulua Polychrome. But in the Postclassic period (900-1500 AD), when many northern Lenca archaeological sites go into decline, the makers of Sula Fine Orange seem to have pushed out the Lenca makers of Ulua Polychrome from the area.  My theory is that this Sula Fine Orange is a local version of Fine Orange ware in the Teotihuacan, Cholula Puebla area.  Among the Lencas of La Campa, the women make the pottery, but the men paint it white with a feather. In Northwestern Honduras we have a Fine Orange ware, but with no decorations on it. The Fine Orange ware in Mexico had incised  S’s and dots. In Northeastern Honduras you have a pottery with incised s’s and dots, but it is not a Fine pottery.  Since the Nahua speaking Nicarao are a group which is migrating, and which reported many losses of people before arriving to Nicaragua,  maybe those who knew how to make Fine paste orange pottery remained in the San Pedro Sula area, but those who knew how to put the incised dot decorations moved on to the Trujillo and White City areas.  Incised punctate ware is also common on the Pacific Coasts of Nicaragua and Costa Rica.  A local Fine Orange ware was also apparently made in El Salvador in the Post Classic period, apparently by Nahua speaking Pipiles.  

10.  Pendant

Pájaro Tallado de Piedra Verde (A bird carved from green stone). Although it is called a pendant by the Burke, I think it does not have a hole to put a string through. It is just a carving.   This is a modern stone carving by someone from Corozo Alta outside of Trujillo from the green stone source used to make green stone beads and axe celt goddesses. This source is a part of the river at an archaeological ruin known as Tulito (little Tula?), on the western edge of the White City area on the Río Paulaya (River of Blood in Miskito).  The trade route going to the White City and City of the Jaguar might have gone down the Paulaya River rather than the mouth of the Patuca, because the Paulaya River is a gold bearing river, as is the Sico River and parts of the Platano River. The gold bearing part of the Patuca is below the Guampu river, another entrance to the White City area, but from the east.  In the 1930’s Pech from Culmí and even Ladinos from Catacamas in the Olancho Valley would walk up the Paulaya River Valley and then along the beach to Trujillo to sell pigs. It is about a 10 day journey with pigs, and 5 day journey home without pigs. 

The Pech of Culmi at the headwaters of the Paulaya would also often walk to Catacamas, about a day and half trip, staying overnight in Aguacate in the days before the road was put in the 1960’s.  So this traditional trade route of Trujillo, Rio Paulaya, Culmi, Valley of Olancho remained open and viable well into the 20th century. . This was the route United Fruit’s  Truxillo Railroad was following. The current highways do go from Trujillo to the Rio Platano Biosphere area at Sico.  The City of the Jaguar is on an unnamed  tributary of a tributary of the Río Paulaya according to Doug Preston’s book The Lost City of the Monkey King, so it is on this trade route which seems to have been dominated by Nahua speaking groups. At Carbonales another route turns south from the Coast road and goes through Conquire, El Carbon, San Esteban (Tonjagua), Telica, and Juticalpa in the Valley of Olancho. This was a royal road/mule track before it was a paved road. The archaeological ruin at the village of El Carbón of Agua Amarilla in the Sierra de Agalta was called Guatemala according to Karl Helbig’s 1950’s studies of Paya ruinas.  Guatemala can be translated as the land of many forests or land of the Indians authorized to be Eagle Warriors  in Nahua according to Judith Maxwell, depending on whether the a is short or long. The capital city of the neighboring country of Guatemala was shown on Aztec maps with eagles, so that was the actual meaning of that city’s name. 

11.  Bark, Raw Material, Pech

Corteza de Capulín (Capulín bark). The Pech tear off strips of this tree’s bark to use to tie things with. This is also the tree that the Pech would cut down, take off the outside bark, then slit the inside bark so that it would come off in one piece, and then place this on top of a tapesco rack as a bed. The Pech did not use petate sleeping mats of tule as did the Lencas, Maya Chortis, and Nahuas did. The sheets of the Pech were made of tunu bark cloth.  It is cool in the mountains of Olancho, but these sheets were supposedly very comfortable for sleeping.  The Pech would also cut low benches of capulín wood, which were used by the Watá or shaman when doing a ceremony in the house, such as the blessing of a new house. A new ceremony required the making of a new bench.  Unlike most of the plants the Pech use, capulín is a tree that grows in secondary growth areas instead of primary growth forest.  Majoa is also a tree that will grow in secondary growth, guamil in Honduran Spanish.  

12. Key Chain, Garífuna

Llavero de Caracol (Seashell Keychain).  This is a small West Indian conch cut in the form of the Aztec Wind Jewel, associated with Quetzalcoatl.  The Black Bay Islanders say before a storm, the conchs walk on the reef, so that you can see lots of them moving (assuming they have not been killed from the sedimentation from the airport extension and similar projects).  This is why they would have been associated with Wind and storms.  The Aztec used a larger species of conch for their wind jewels. The Nahuas of the Trujillo and Bay Islands areas also seemed to use the larger conchs as trumpets (pito in Honduran Spanish), as did the Lencas before them as see on Ulua Polychrome pottery. Conchs were probably part of the things exported by the Honduran Nahuas up to the Mexican Aztec area. I am told if you cut the top off the conch like this to get a Aztec Wind Jewel, this is also the way to get the conch out to make conch soup or conch fritters.  Garifunas have taken over this eco-system now, but in several of the items in the Burke Museum, you can see they continue making the jewelry from the seashells and then   selling it to the Ladinos who come to the beach in Trujillo.

There is one spot on the Hog Keys (Cayos Cochinos) where the Garifunas live that the name is in Nahua. The Hog Keys are about half way between La Ceiba and the Bay Islands, so maybe this was a good resting spot, plus a good spot to dive for shells.  At least the original name of Utila was also in Nahua.

13. Mesh bag, object 2013-189/39, Pech

Ara’ Aye (small majao bag)  in Pech. Bolsa de Majoa in Spanish.  This is a small carrying bag such as for camotes (sweet potatoes) or malanga. It is also the size for men to carry their fishing gear in and then at the end of the fishing trip, wrap the fish up in bijao leaves and put them in the bag and carry them home.  This is made from the twine of the inner bark of the “babosa” tree, majoa in Spanish, or puru in Pech.  Pech women generally make the bags, but the men usually go into the forest to get the tree to make the majao.  In this case, a Pech man also made the “pencas” or strips of majao and then sold them to the Pech woman who wanted to make the bag. Maya Chortis make an even more closed weave bag for carrying their personal things like their identity card, as traditional clothes had no pockets. The Maya Chortis used maguey to make these bags.   It is often the Maya Chorti men who work maguey.  I don’t know what language majoa comes from but it is similar in sound and structure to Nicarao, the Río Pao a river in the White City area off the Rio Paulaya, etc., so it might be Nicarao Nahua in origin. This “ow” sound, like in bow-wow, is not common in other Honduran or Pech or Miskito words. 

14. Mesh bag, object 2013-189/42

Matata or Matate (Spanish) from metatl in Nahua. Ara’ in Pech.  This is a larger mesh bag made from the twine of the inner bark of the “babosa” tree (majao).  The Miskitos and Tawahkas also made these. When meat was cooked/smoked, the leftover meat was wrapped in bijao leaves and stored in this bag with cinches closed, hung from the rafters.  The Maya-Chortís  make a similar net bag which they call “red” (net) in Spanish. The Chorti bag is from maguey. The Chorti say that “mescal” the rope associated with the Nahuas of Olancho is “reventosa” (it easily breaks), but maguey is “masiso” (durable, thick),which is why they prefer maguey. 
15. The Burke wrote this was Copal,but it is actually ocote, pitch pine.

Ocote (Spanish).  This is burned for light all over Honduras.  The Pech did not burn copal incense, but rather just ocote at their all night ceremonies. There is an example of copal resin, wrapped in a corn husk (tuza) wrapper from the Maya Chorti area in the Burke Museum.  The Pech ceremonies were at night, in a house, not a temple, because they believed the spirits of the animals, the mountains, the deep pools, the trees, known collectively as the “asari chita” (the hidden ones) only came out at night to feed, so ceremonies to them must be at night. There are no images of the asari chita. The spirits themselves come. This is a big difference between the constant burning of incense and rubber to the many idols in the Trujillo and Olancho El Viejo areas in the early conquest period or the idols seen in the Valley of Agalta in the early 1800’s. The Pech do not use tobacco at their ceremonies, which is said to make flee the asari chita, as does the use of Spanish.  The Pech have no longer done most of these ceremonies since the road went in in the 1960’s.

16.  Gourd Container, Bottle, Pech

Tecomate in Honduran Spanish, except the Pech call it sin ido (without exit) in Spanish. This is the standard carrying container for water or more like corn beer (chicha) in rural Honduras including the Maya Chorti and the Lencas. Unlike jicaros and guacales which come from tree gourds, tecomates and barcos come from vines that grow on the ground. In Honduras they are usually stopped with a dried corn cob (olote). This one had a majoa string to carry it with over the shoulder.

17.  Gourd Cup, Pech

Jicaro in Honduran Spanish, wi sa (head gourd bowl) in Pech. These elongated narrower tree gourds were the standard drinking utensils for example for water. A house often had a special stick with several branches hanging out, hanging up from the rafters, too, that was a “porta-jicaros”, a place where the jícaros were hung over the branches.

There are also examples of maracas using guacales (large and round), jícaros (elongated, narrower),and morros (small and round) in the Burke Museum collection of Honduran crafts.  Maracas were used by both the Maya Chorti (they are sculpted into the ruins at Copan) and the Lencas (shown on Ulua Polychrone) in pre-Columbian times in Honduras.







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